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The London seller Timothy Taylor is relocating his Chelsea gallery to New York’s hip Tribeca neighbourhood on 20 April, a transfer he says took place as a “blissful accident”—although one which factors to a wider pattern, not solely amongst artwork galleries.
Over the previous 5 years or so, the likes of mega seller David Zwirner and smaller outfits equivalent to Chapter Gallery, Denny Denim and Canada have flocked to Tribeca and have now reached a vital mass of round 50 galleries. Taylor thinks Tribeca is “more and more defining itself by quantity”—each when it comes to galleries and the variety of guests to the world. “However I’m not suggesting there’s going to be a mass migration from Chelsea,” he provides.
Tribeca, which has additionally attracted Manhattan A-listers over time, amongst them Robert De Niro, Meg Ryan and Leonardo DiCaprio, has a “very totally different really feel” to the Chelsea group, says Taylor, who opened within the upmarket district in 2016 as an experiment. “The areas in Tribeca supply artists one thing totally different. If you happen to’ve been displaying in the identical area in Chelsea for the previous 20 years, it’s fairly thrilling to be given a special alternative.”
Taylor explains how he took the Tribeca gallery after discovering himself within the space by probability final summer season. “This [property] agent had been telling me to have a look at Tribeca, and I had utterly ignored him, pondering that should you had been in Tribeca, you’d by some means failed in Chelsea,” the seller says. “So I rang this agent to let him know I used to be in Tribeca. He confirmed me an area and I made a proposal the following day. It was actually an entire coincidence to search out myself in that a part of city.”
The primary present in Taylor’s new 7,000 sq. ft, two-story area is by the Turkish-born summary painter Hayal Pozanti, her first exhibition with the gallery since her illustration was introduced earlier this yr. Over the course of the following 18 months, Taylor will introduce quite a few artists who’re new to the gallery. Subsequent up, in September, is a present by the self-taught Thai-born figurative painter Jiab Prachakul.
Alongside his new signings, Taylor goals to take care of his programme of displaying primarily—however not completely—European artists. “I wish to give European artists a sufficiently big platform to be taken critically within the US market,” he says. “I wouldn’t say my sole focus is on European artists, however as a European gallery, I feel that’s fairly essential.”
All change in London
As for his personal base, Taylor will stay in London the place he has run a gallery since 1996. He notes how the UK capital has modified “fairly dramatically” over the previous 5 years. “Worldwide people should still have properties in London, however they spend much less time within the UK,” he says. “I don’t know whether or not that’s right down to Brexit or adjustments in worldwide tax legal guidelines.”
The London artwork market, in the meantime, is “wanting much less to Europe”, Taylor says, and is as an alternative “seeking to the place the brand new energies are coming from”. The seller spends a considerable period of time in China, Hong Kong and, more and more, Korea—although he says there aren’t any plans to open an outpost in East Asia.
As he places it: “This isn’t an enormous gallery, we have now a group which punches above its weight. I take a extra opportunistic method: to do exhibitions, festivals and pop ups in different places—after which depart and are available again once I’ve bought one other good concept.”
Taylor recognises his technique could go towards the grain, however would relatively keep reasonably sized and targeted. “Everyone says, the extra actual property you will have, the extra artists you may have and the extra you may promote. And the extra money you can also make,” he says. “However that’s not my method. I wish to take pleasure in what I do. And I wish to have enjoyable.”
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