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The co-founder of luxury art publisher Assouline on why its books ‘are really haute couture’ and how they will ‘never’ go digital

July 4, 2023
in NFT
Reading Time: 5 mins read
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Assouline is a e-book publishing model unashamedly centred on “the notion of true luxurious”. Based in 1994 by Prosper and Martine Assouline, the corporate has produced greater than 1,700 titles throughout 4 fundamental collections—Basic, Legend, Final and the XXL Assortment—overlaying artwork historical past, journey and tradition. Artists and designers given the lavish Assouline remedy embrace René Magritte, Andy Warhol, Les Lalanne and Joaquín Sorolla.

Assouline’s subsequent large artwork tome, out this month, focuses on Bauhaus Fashion. “Assouline’s e-book gives a extra playful and subjective strategy to the Bauhaus world, which to me as a scholar felt very relaxed,” says the creator and Vitra Design Museum director Matteo Kries. “I additionally like that the photographs included are enormous in measurement and printed in very top quality, which supplies them a powerful character, almost like in a museum.” We spoke to Prosper Assouline about how the corporate has advanced and his future plans.

The Artwork Newspaper: On the eve of your thirtieth anniversary, how would you describe the Assouline model?

Prosper Assouline:We produce so many issues. We produce 120 books yearly throughout 4 collections so it is loads. It is a pyramidal system, working from the highest, beginning with our Icons assortment (smaller format, round 60 euros), adopted by our Classics assortment which all price round €100 every, together with our Journey collection. Then there’s the Legends assortment, they price round €250 every.

The Legends tomes are the authority on their topics, impressed by mythic eras, artists, and excessive society. And on the high is the Final assortment, which is my favorite assortment, it is a assortment utterly made by hand, uniquely by artisans. They’re actually high fashion. These price round $1,200 (€1,100) and we’ve some particular editions.

There’s a very small triangle on the highest of the pyramid for books in our XXL collection; these price round €15,000. They will measure 2m when opened, they are often the scale of a window!

Are your books simply meant to be ornamental?

The books can price $60 (€54) or $15,000 (€13,800). They’re designed to be an object as a result of you have to dwell with them. It isn’t nearly what’s inside however additionally it is 80% what’s outdoors. As a result of it is a part of your life, it is a part of your ornament I wish to say.All the books are made in collaboration with my spouse and my son [Alexandre]; it is our cupboard of curiosities. I handle the designs.

I prefer to suppose we’re the shopper. I need to create the books I wish to personal. And we determined to create such books as a result of we didn’t discover what we wished. So, we’re in the beginning the shopper.

Maison Assouline, the publishing homes flagship store in London © Justin De Souza

How is the corporate structured?

The whole lot is completed in-house at Assouline, and we like to manage every part: the manufacturing, editorials, designs, distribution, logistics and all of the issues that aren’t seen. Different publishers work with folks from outdoors, the logistics are all exterior—we do precisely the other.

What’s your strategy to publishing artwork historical past texts?

What’s the worth for us in doing one other e-book on Picasso? No method. What we wished is to have a look at Picasso from a sure perspective. So we did a phenomenal e-book and requested his granddaughter Diana Widmaier Picasso to decide on the very best 100 items [Pablo Picasso: The Impossible Collection, 2019]. It’s a wonderful textual content, quite simple. It’s a hit. Why? As a result of it is a perspective. It isn’t as if we tried to cowl every part on Picasso. That is the one method we’re going to cowl artwork.

The e-book by Empress Pahlavi [of Iran] was additionally from her perspective [Tehran Modern, 2019]. Not lots of people know concerning the museum [Tehran Museum of Contemporary Art] she created earlier than she needed to depart [in 1979 during the Islamic Revolution]. It was all about her love for artwork. It was one of the incisive publications and insights into the gathering as a result of there’s not likely a lot on the market about that assortment.

What are your forthcoming publications?

We’re doing the second version of The Unimaginable Assortment of Artwork [October]. The first version, printed in 2010, was our first e-book within the Unimaginable assortment collection (a part of our Final assortment). After I did this e-book 15 years in the past, it was the last word artwork assortment, all based mostly on the thought of claiming: “If I’ve to die in a single room crammed with artwork, will probably be right here.”

I mentioned, “I will discover the very best items and put them in a single e-book.” We requested [dealers] Philippe Segalot and Franck Giraud to decide on the very best 100 items of the nineteenth and twentieth centuries. The up to date model popping out later this yr is about artwork till at the moment, chosen once more by Segalot

What’s your technique concerning digital publishing?

The whole lot is in print nonetheless. However I am not going to translate our books into digital kind. By no means.

What does the long run publishing panorama appear to be for you?

For us, it’s going to be an increasing number of about luxurious, we push the standard. We need to be an increasing number of distinctive. It might be costlier however the high quality will keep impeccable.

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