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Based in 2000 by the town’s native authorities as part of the Millennium Challenge and hosted by the Seoul Museum of Artwork (SeMA), the Seoul Mediacity Biennale, specializing in media artwork, is now one in every of South Korea’s main artwork biennials, alongside these of Gwangju and Busan.
This 12 months, the biennial inaugurated an open name for an inventive director, finally deciding on US-based curator Rachael Rakes. She has chosen to forgo the standard format of artists representing completely different nations. As an alternative, she has sought to convey collectively artists whose works convey a transnational angle and cultural hybridity. These qualities, in keeping with Rakes, replicate ongoing adjustments in modern society.
Going down from 21 September to 19 November, the biennial will characteristic greater than 70 works—a big improve from the earlier version. Titled This Too, Is a Map, the occasion will characteristic 65 individuals together with artists, writers, researchers, musicians and choreographers, and can open to the general public at Seoul Museum of Artwork (SeMA) and various different venues throughout the town, together with Seoul Museum of Historical past, SeMA Bunker, Area mm, Sogong Area and Seoullo Media Canvas.
Previous to the opening of Frieze Seoul and KIAF Seoul, the Biennale hosted a preview, that includes a variety of works, performances and artist talks. The works included within the preview proceed to be on view at SeMA throughout September.
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