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The Artwork Newspaper’s annual report on museum customer figures around the globe has been revealed. We discuss to Lee Cheshire, who co-edited the report, and to Charles Saumarez Smith, a former director or chief government of three London museums and galleries—the Nationwide Portrait Gallery, Nationwide Gallery and Royal Academy of Arts—about how essential the figures are to museums and whether or not they’re a legitimate gauge of establishments’ success.
Edgar Degas’s L’Absinthe (1875-76) / Édouard Manet’s Plum Brandy (round 1877)
© Patrice Schmidt / Musée d’Orsay distribution RMN
The exhibition Manet/Degas opened on the Musée d’Orsay in Paris this week, earlier than travelling later within the 12 months to the Metropolitan Museum of Artwork in New York. Ben Luke visits the present in Paris and speaks to Laurence des Automobiles, the previous director of the Musée d’Orsay and now president-director of the Musée du Louvre, and Stéphane Guégan, the co-curator of the exhibition.
Berthe Morisot’s Girl at Her Toilette (1875-80)
Courtesy of The Artwork Institute of Chicago, Stickney Fund
And in London, a present of the work of Berthe Morisot, the pioneering Impressionist with inventive and familial connections to Manet and Degas, has opened on the Dulwich Image Gallery. This episode’s Work of the Week is Morisot’s Girl at Her Toilette (1875-80). Lois Oliver, the curator of the exhibition in Dulwich, tells us about this pivotal image.
• Manet/Degas, Musée d’Orsay, Paris, till 23 July; Metropolitan Museum of Artwork, New York, 24 September-7 January 2024
• Berthe Morisot: Shaping Impressionism, Dulwich Image Gallery, London, till 10 September, Musée Marmottan Monet later in 2023 (dates to be introduced)
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