Artwork theft, as we all know, is a giant enterprise, and it’s value greater than £5bn a 12 months, placing it among the many prime worldwide crimes after drug trafficking, cash laundering and arms dealing. However stolen artwork used as collateral or bartered as a precious commodity isn’t an remoted incidence. One thing else is often concerned, be it medication, weapons, cash laundering, intercourse work and even human trafficking.
The Barcelona Connection is the primary work in a collection of crime thrillers that I’m writing, set within the artwork world and with Benjamin Blake because the central character known as in to analyze against the law scene as a murals. Every ebook is deliberate to give attention to a distinct artist, portray and metropolis, and every murals connects to a parallel, real-life crime—and I’ve to thank Dalí for setting me off on this ebook’s journey of double imagery and mistaken id.
There are key moments that relate to those twin themes, and I take advantage of Dalí’s The Hallucinogenic Toreador (1968-70, above) as a “mirror picture” of the discoveries made throughout the investigation of a homicide and kidnapping.
Inside hours of being despatched to Barcelona to authenticate a attainable examine for Dalí’s Toreador, Blake is left stranded with out his cellphone at a service station alongside a bloody corpse within the early hours of the morning. Mixing the true with the surreal, he turns into the prime suspect in a politically motivated kidnap and homicide, and he has 36 hours to clear his identify and retrieve the portray.
The writer Tim Parfitt alongside a statue of Salvador Dalí
Blake not solely believes that investigating against the law scene is an artwork and never a science, however that each crime scene could be considered as a murals. The forensic scientist turns into the connoisseur, drawing conclusions from missed particulars, clues or traces.
I selected The Hallucinogenic Toreador, with its double picture of a bullfighter who’s “invisible” till you see that the repeated depictions of the Venus de Milo additionally painting his facial options, as a result of it’s a mirror picture of the “invisible” or lacking kidnap sufferer in my story. I learnt about Dalí’s obsession with the focus of the portray by means of my conversations and correspondence with Joan Kropf, the previous chief curator on the Salvador Dalí Museum in Florida. The Dalí Basis in Figueres additionally helped with my analysis, and additional data was offered by the Museu Nacional d’Artwork de Catalunya, particularly on the forensic examination of work.
Dalí described the Toreador as “all Dalí in a single portray”. Dalí had a brother, additionally known as Salvador, who died earlier than the artist was born. The ‘invisible’ bullfighter, about to die, represents his useless elder brother. Dalí’s mother and father appreciated to consider him as a reincarnation of his brother, seeing a detailed non secular and bodily likeness of their two sons. Being regarded, within the eyes of others, as another person—and somebody who was useless—was an issue that exercised a powerful affect on the formation of Dalí’s character. That sense of “mistaken id” is a necessary ingredient of the ebook.
• Tim Parfitt, The Barcelona Connection, Maravilla Press, 502pp, £10.99 (pb)