Five panels from Dosso Dossi’s ‘magnificent’ Renaissance frieze reunited for exhibition in Rome

The camerino d’alabastro (alabaster room)—one of many non-public residences linking the Castelle Estense and Palazzo Ducale in Ferrara—was created for Duke Alfonso I D’Este as residence to a set of work well-known throughout Italy. Among the many masterpieces have been works by Giovanni Bellini (The Feast of the Gods, 1514), Titian (three canvases, together with Bacchus and Ariadne, 1519-23, now within the Nationwide Gallery, London), and the Aeneas Frieze (round 1520) by the court docket painter Dosso Dossi. Dossi’s frieze—made up of ten canvases of episodes from Virgil’s epic poem The Aeneid—and the rest of the camerino’s contents, have been dispersed when Alfonso’s grandson Alfonso II died with out inheritor in 1597 and the gathering fell, via feudal regulation, into the arms of the papacy.

The Dossi frieze joined the gathering of Cardinal Scipione Borghese to brighten his villa—now the Galleria Borghese, in Rome—and was subsequently relocated to Spain. Now, the Galleria Borghese is reuniting 5 of the work for the primary exhibition devoted to Dossi’s frieze. The placement of the vast majority of the canvases was, till not too long ago, unknown. “Till the late Nineteen Nineties, we solely knew about three of the ten work,” says the curator Marina Minozzi. “Now we have now situated seven.”

The Rome present will embrace sections of the frieze loaned from the Museo Nacional del Prado in Madrid, Louvre Abu Dhabi, the Nationwide Gallery of Artwork in Washington, DC, and personal collections. “These are works of nice originality”, Minozzi says. Their influence continues to be staggering as we speak.”

Nonetheless, not all of the recognized Aeneas canvases will probably be exhibited: a part of the frieze owned by the Nationwide Gallery of Canada has been deemed too fragile to move to Italy, whereas one other held by Birmingham’s Barber Institute of Positive Arts could not characteristic resulting from “logistical issues”. Whereas analysis into the frieze is progressing, Minozzi says, the work stays shrouded in thriller. “Artwork historians are nonetheless not sure in regards to the sequence of the panels,” she says. “Even as we speak, there’s a lot to find about this magnificent work.”

• Dosso Dossi: the Frieze of Aeneas, Galleria Borghese, Rome, 4 April-11 July