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Defne Ayas, the Turkish curator chosen to organise the subsequent version of the Istanbul Biennial after which summarily rejected in favour of Iwona Blazwick, has given her first interview because the information emerged.
In February, the Istanbul Biennial’s advisory board, whose members included the previous Whitechapel Gallery director Iwona Blazwick, unanimously selected Ayas as the very best candidate to curate the subsequent exhibition, which opens in September 2024. However the Istanbul Basis for Tradition and the Arts (IKSV) which administers the present, rejected the board’s advice and as an alternative appointed Blazwick.
The choice to nominate a long-serving member of the advisory panel to organise the exhibition has raised critical questions on conflicts of curiosity on the IKSV and the dearth of transparency with which it operates.
Talking to the reporter Cansu Çamlibel of T24, an unbiased Turkish on-line newspaper, Ayas mentioned she was “stunned” that Blazwick had agreed to curate the subsequent Istanbul Biennial as a result of “she voted for me in any case,” including, nonetheless, that “it’s not clear what sort of circumstances [Blazwick] herself fell sufferer to and what she needed to tackle.”
Responding to options that Ayas was judged to be too “dangerous” due to an exhibition she curated on the Turkish pavilion on the 2015 Venice Biennale, which included a reference within the catalogue to the Armenian Genocide, a bloodbath which the Turkish authorities denies happened, Ayas mentioned: “If there was a battle between me and the establishment, why was an invite to submit a curatorial proposal prolonged to me within the first place? What occurred afterwards that I all of a sudden grew to become objectionable?” The sequence of occasions means that there was outdoors interference within the appointment course of and that the “choice standards have been decided someplace else,” Ayas mentioned.
Ayas was notified that she was now not thought of appropriate for the Istanbul Biennial through an e mail from IKSV. It mentioned: “You don’t meet our curatorial standards,” Ayas recalled. “Whereas all that is occurring, we’re on the eve of the election [that extended President Erdoğan’s two decades in power] and on the eve of the opening of Istanbul Fashionable,” she mentioned.
Ayas informed IKSV that she wished extra details about “the choice standards, the jury and their suggestions. Then a telephone name happened and I used to be informed ‘it isn’t the best time’ for me and that the choice to work with one other curator had been made.” Ayas mentioned she had acquired “no passable solutions” from IKSV over their dealing with of the incident.
“We should always ask what’s the present function of the Istanbul Biennial? […]At a time when authoritarian regimes are resurgent all around the world, how can biennials proceed to open up a subject of oxygen and experimentation for us?”, Ayas asks.
She predicts that when it emerges from this era of turmoil, the biennial “will proceed to be a worldwide platform however…we at the moment are in a state of affairs the place IKSV must renew itself, simply as each non-public and public establishment on the planet must constantly renew itself.”
The total interview, in Turkish, is on the market right here.
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