Throughout the VIP preview for The European Effective Artwork Honest (Tefaf) in New York, collectors dodged oyster shuckers and glasses of champagne all through the Gilded Age areas of the Park Avenue Armory, desirous to ask sellers which works have been out there and for a way a lot, seemingly extra keen to talk about purchases than patrons at different latest gala’s.
This yr’s honest options 91 galleries beneath the venue’s wrought-iron arches and its historic rooms, and regardless of a busy spring artwork season in New York, the variety of individuals attending the invitee-only preview on Thursday (11 Might) urged that Tefaf is a must-see for a lot of within the artwork world—stars seen perusing stands through the preview included Anderson Cooper, the broadcaster and collector. Not like Tefaf Maastricht, the honest’s authentic Dutch version that centres Previous Masters and antiquities, sellers at Tefaf New York are inclined to put extra of an emphasis on Trendy and modern artwork and design.
New York-based Gladstone gallery bought out its solo stand devoted to Robert Rauschenberg’s Thai drawings from 1983, priced at $90,000 every. Lisson bought Sean Scully’s Wall Darkish Blue (2022) to a personal assortment in Asia for an undisclosed value. Nathalie Obadia, a Paris gallery collaborating in Tefaf for the primary time, bought a number of works on paper by Shirley Jafffe for between $35,000 and $50,000, and Wang Keping sculptures priced between €55,000 and €120,000. Di Donna bought a piece by Surrealist Méret Oppenheim to a museum, and Hazlitt Holland-Hibbert bought 4 works by Bridget Riley.
London gallery Richard Inexperienced bought Household Group (1949), a sculpture by Henry Extra, and Branksome Dene (1916), a portray by Winston Churchill. Peter Freeman bought Blah, Blah, Blah (2008), an ink-on-paper work by Mel Bochner with an asking value of $20,000. The gallery additionally bought three latest sculptures by Charles Ledray, with asking costs between $7,000 and $10,000.
A view of Di Donna’s stand, exhibiting work by Méret Oppenheim, at Tefaf New York 2023. Courtesy Di Donna
Whereas financial jitters have made rich collectors extra selective in relation to artwork purchases, Tefaf govt committee president Hidde Van Seggelen says the honest occupies a sector of the market that has been comparatively resilient.
“It will be silly to disclaim that due to the unrest we’ve got on this planet, however you continue to see actual will increase in high-value objects,” Van Seggelen says. In response to the newest Artwork Market report from Artwork Basel and UBS, launched final month, sellers with the best annual turnovers—greater than $10m—have been those who skilled the biggest improve in common gross sales values final yr, at 19%.
Van Seggelen says he’s seen extra work by girls on the market at this Tefaf than in earlier years, although the honest hasn’t tracked what number of sellers are promoting works by girls or how the determine could have grown. Sellers mentioned extra collectors have expressed curiosity in shopping for work by girls at this yr’s honest, with one noting it could be partially as a consequence of museum curators focusing extra on long-overlooked feminine artists, which may jumpstart the marketplace for an artist’s work. (Extra museum representatives are visiting the honest this yr than previous editions, Van Seggelen provides).
Emmanuel Di Donna from Di Donna, a New York gallery specialising in Surrealism, says he’s seen renewed curiosity in works by girls who have been a part of the motion, together with Leonora Carrington and Dorothea Tanning. Di Donna’s Tefaf stand is a presentation of labor by Oppenheim, the German-Swiss Surrealist who labored alongside artists like Man Ray, Max Ernst and Marcel Duchamp. The works are priced from $33,000 to only over $1m. Whereas Di Donna refers to Oppenheim as “the nice feminine Surrealist”, he provides that it was a title she would have disliked. She championed the concept of inventive androgyny, influenced by psychoanalyst Carl Jung, as was explored within the travelling retrospective that was on view on the Museum of Trendy Artwork till early March.
“For Oppenheim, there was no distinction between a male or a feminine artist. She had very robust views about feminism,” Di Donna says. “She refused to be in reveals the place solely feminine artists have been proven.”
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Bridget Riley’s Untitled [1 July Bassacs] (2004) Courtesy the artist and Hazlitt Holland-Hibbert
London gallery Hazlitt Holland-Hibbert has a solo stand devoted to Riley, the revered British Op artist who not too long ago turned 92 and stays very energetic—she not too long ago accomplished a big ceiling portray on the British Faculty at Rome. The work on sale at Tefaf is from a vibrant sequence Riley labored on within the 2000s, with costs starting from $200,000 to $2.8m. (A travelling exhibition of Riley’s works on paper will likely be on view on the Morgan Library & Museum in New York from 23 June till 8 October).
“Bridget has by no means referred to herself as a girl artist. So far as she’s involved, gender shouldn’t be the necessary subject in relation to creating artworks,” says James Holland-Hibbert, who has labored carefully with Riley for years. “Nonetheless, I believe it is necessary that girls artists are extra uncovered to the market extra [and] collected extra.”
Gallery Hyundai from Seoul placed on a solo stand for Korean artist Minjung Kim, whose work on Hanji paper (made out of mulberries) is knowledgeable by each conventional Korean artwork and European influences she absorbed whereas learning in Milan. Her work on the stand ranges in value from $44,000 to $152,000.
Pauline Chiche, senior director of the Paris-based Nathalie Obadia gallery, says the supplier’s option to convey work by Jaffe to Tefaf wasn’t due to the artist’s gender. Jaffe’s works on paper vary from $35,000 to $50,000, whereas work value between $250,000 and $300,000.
“It is true that on this group of artists we current there’s many ladies artists, however it’s not a standards,” Chiche says, including that the gallery started representing the Jaffe property years in the past. “Many collectors at the moment are specializing in girls Summary Expressionists. And she or he’s in it, however we have already been working along with her for an extended, very long time.”
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Untitled (347) (1973) by Verena Loewensberg Courtesy The Mayor Gallery
The Mayor Gallery in London unveiled a solo stand for twentieth century Swiss artist Verena Lowensberg, a up to date of Zürich creatives like Max Invoice, Richard Paul Lohse and Camille Graeser. Her vibrant, minimal work are on provide for $180,000 every. John Austin, a director on the gallery, says they needed to highlight Lowensberg, who died in 1986.
“Her profession was undoubtedly held again to being a girl. She had two kids, she was divorced. She needed to earn her personal dwelling,” Austin says. “It was an actual, actual battle. She continued to color on a regular basis all by way of her life. She was by no means deterred by that.”
Tefaf New York, till 16 Might, Park Avenue Armory, New York