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Guests to Frieze New York who take a break to walk alongside the close by Excessive Line park will probably be struck to seek out, amid the verdant foliage springing from the previous elevated industrial railroad, a brilliant pink and pink tree. The 25ft-tall sculpture, Outdated Tree (2023) by the Swiss artist Pamela Rosenkranz, is the third work within the Excessive Line Plinth fee sequence. “It’s humorous to suppose that we’ve put this faux tree right here amongst so many actual bushes,” says Cecilia Alemani, the director and chief curator of Excessive Line Artwork. “However perhaps that’s the long run that awaits us—an surroundings with solely artificial crops.”
Rosenkranz initially proposed the sculpture earlier than the Covid-19 pandemic, in late 2019, however with its fleshy floor, seen drips of paint and naked branches that evoke the within of human lungs or the circulatory system, it’s arduous to not see the work as a commentary on each the environmental and international well being crises. “The reflection of Covid is one thing Pamela may by no means have predicted, however that’s a part of what makes public artwork so highly effective—that it could accommodate so many altering interpretations,” Alemani says. “It exhibits how well timed this piece is.”
Rosenkranz will determine prominently inside Frieze New York, too. Sprüth Magers and Karma Worldwide have devoted their joint stand to a solo presentation of her new mirrored works.
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