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Sarah Lucas talks to Ben Luke about her influences—from writers to film-makers and, in fact, different artists—and the cultural experiences which have formed her life and work.
Lucas, born in London in 1962, is among the most important artists of her era, each within the UK, the place she was related to the Nineteen Nineties motion generally known as the Younger British Artists, and internationally, the place she has been the topic of a number of important latest institutional exhibitions.
Her follow primarily consists of sculpture, however it’s typically introduced in distinctive installations in dialogue with pictures, within the type of prints or wallpaper. Her work is characterised by sardonic and ribald humour, knowledgeable by colloquial British language but additionally shot by means of with feminist concept and social commentary.
Fashioned from a wealth of supplies, a lot of them on a regular basis discovered objects like newspapers, meals, furnishings, cigarettes and clothes, her sculptures virtually all the time evoke the physique, nevertheless crudely lowered or abstracted. And whereas a humdrum frankness and bawdiness are ever-present, Lucas’s sense of the unusual and the uncanny find her work inside the legacies of Dada, Surrealism and absurdist artwork in Europe and the US.
She discusses her revolutionary method to exhibition-making, and the liberating collaborations with Franz West that influenced them. She discusses how Yoko Ono knowledgeable a few of her latest work. She displays on an anarchic collaboration with the Austrian collective Gelitin. Plus, she offers perception into her working practices and studio life.
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