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The collectors James-Keith Brown and Eric Diefenbach are influential supporters of museums within the communities between which they break up their time: New York Metropolis and Ridgefield, Connecticut. On the former, Brown is the president of the New Museum board of trustees; on the latter, Diefenbach is chair emeritus of the board on the Aldrich Modern Artwork Museum.
Their wide-ranging assortment of latest artwork contains works by Yayoi Kusama and Olafur Eliasson however is very wealthy in post-war German artwork. Their holdings, together with items by Joseph Beuys, Gerhard Richter, Sigmar Polke and Martin Kippenberger, have been the topic of a significant travelling exhibition in 2011-12. Extra not too long ago, the couple purchased and extensively restored the Fifties childhood house of the singer-songwriter James Taylor in North Carolina.
The Artwork Newspaper: What was the primary work to procure?
James-Keith Brown and Eric Diefenbach: A drawing by Sol LeWitt. Within the early Nineteen Nineties, we have been repeatedly visiting museums and smaller artwork areas in New York. Again then, many artwork areas and charities held giant silent auctions at their advantages providing each rising and established artists’ works—the New Museum, the Whitney Museum of American Artwork, Bailey Home and the Coalition for the Homeless, amongst others. One evening, we bid on and received a phenomenal LeWitt drawing. We’ve been accumulating and supporting arts and different organisations ever since.
What was your most up-to-date buy?
A drawing by Tammy Nguyen and new works by UK-based artist Poppy Jones and California-based Hugo McCloud. We’ve additionally not too long ago acquired some “older works”, together with a Martha Diamond portray from the Nineteen Eighties, and a sculpture and portray from the 1980 and 90s by the Japanese artist Goro Kakei.
If your own home was on hearth, which work would you save?
Brown: I’d take our blue and inexperienced Josef Albers Homage portray. It’s lovely, influential, and is a core piece in our assortment of German work from 1940 to the current.
Diefenbach: I’d take Mark Bradford’s Nasty Ass Pigeons from 2002, a favorite, extra up to date work. It might grasp properly with the Albers wherever we ended up.
If cash have been no object, what can be your dream buy?
Powerful. Pieter Bruegel the Elder’s Hunters within the Snow (1565)? Vincent van Gogh’s The Starry Night time (1889)? A Jasper Johns US map portray? Nearer to our assortment’s focus, a high quality Vassily Kandinsky or Paul Klee?
Which work do you remorse not shopping for whenever you had the possibility?
We have been supplied a Yayoi Kusama Infinity Mirror Room in Tokyo 20 years in the past however handed due to area and value. Although we wouldn’t half with the 2 work and the works on paper we bought as an alternative, we should always have sprung for the room, too.
What’s the most shocking place you will have displayed a piece?
Nothing too shocking. We now have a Pipilotti Rist video seen on the aspect of a drugs chest (the artist’s body) put in in a visitor lavatory, and a Martin Creed work of 23 paper parts winds up the again stairs.
Which artists, lifeless or alive, would you invite to your dream ceremonial dinner?
Andy Warhol, Josef and Anni Albers, Pablo Picasso, Kusama, Kandinsky, Klee, Joseph Cornell, Hannah Höch, Jack Whitten and Louise Nevelson. Seemingly a energetic group.
What’s the greatest accumulating recommendation you’ve been given?
Greatest was the only: purchase what you want. We might add look, hear and skim as a lot as you may. Speak with artists, curators and gallerists. Take time to contemplate an artist’s course of and see how works match of their follow.
Have you ever purchased an NFT?
No. We’ve been watching the medium’s energetic market carefully,however haven’t but discovered the suitable one. We’ll proceed to look at.
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