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The high-profile French curator Nicolas Bourriaud has been appointed inventive director of the fifteenth Gwangju Biennale in South Korea, attributable to open September 2024. Bourriaud, the previous co-director of the Palais de Tokyo in Paris, will concentrate on the impression of the Covid-19 pandemic, the Gwangju Biennale Basis says in a press release, with the exhibition “defining artwork’s position in restoration”.
The assertion provides: “For the fifteenth Gwangju Biennale, Bourriaud plans to include his inventive philosophy right into a discourse-driven exhibition, specializing in the areas the place the human species stay, and the redefinition of its borders with different spheres.” Bourriaud was appointed director of the Paris College of Effective Arts in 2011 and managing director of the Montpellier Contemporain in 2015. He addressed the local weather disaster within the sixteenth Istanbul Biennial held in 2019.
In the meantime the Gwangju Biennale has abolished its new artwork prize, the Park Web optimization-Bo award, which was received in April by the South Korean artist Oum Jeongsoon who’s exhibiting Elephant With out Trunk (2023) on the 14th version of the biennial. The award, which was price $100,000, was funded by the eponymous artist who had underwritten the award via $1m donated via his Gizi Basis.
Park is represented by White Dice gallery, which says on-line that he “is extensively thought of one of many main figures in modern Korean artwork [and] credited as being the daddy of the Dansaekhwa motion [refers to artists who painted only in monochrome]”. However in response to ARTnews, protestors said that Park’s formalist artwork didn’t align with the political values of the biennial which was based in 1995 to commemorate the 1980 slaughter of demonstrators, sparking South Korea’s democratic transition in 1987.
Park wrote on Instagram that the “Gwangju Biennale Basis agreed to abolish the Park Web optimization Bo artwork prize,” noting that it was “regrettable that the issue was raised on the day of the occasion” when the prize had been introduced February final yr, permitting “loads of time for variations in opinion”.
The biennial says in a press release: “In response to opposition to the Gwangju Biennale Park Web optimization-Bo Artwork Prize that has emerged just lately, the Gwangju Biennale Basis sought various opinions from the artwork group relating to the award’s subsequent operational plans and continued discussions with the GIZI Basis.”
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